Jonny Niesche

Atoms Encode (Content Aware), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2,5 inches, 75 x 60 x 6 cm.

*Atoms Encode (Southern), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2.5 inches, 75 x 60 x 6 cm

Kansai Schwartzkopf (Red), 2021, voile, powder coated aluminum, mirror polished brass, 81,5 x 81,5 inches, 207 x 207 cm.

Schein Blossom (Spring has no border), 2022, voile, powder coated aluminum, mirror polished brass, 69 x 69 x 1.5 inches, 176 x 176 x 3.5 cm.

Atoms Encode (Small Carp), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2.5 inches, 75 x 60 x 6 cm.

ATOMS ENCODE, 2022, 1301SW, Melbourne, AU

ATOMS ENCODE, 2022, 1301SW, Melbourne, AU

Zig Zag Dream (Amber), 2022, voile, acrylic mirror, MDF, 56 x 40 x 4 inches, 141 x 101 x 9 cm.

Mutual Illumination (Study), 2021, voile, acrylic mirror and MDF, 28 x 28 x 2.5 inches, 71 x 71 x 6 cm

Aba Zabba Zoom (Emerald), 2022, voile, acrylic mirror, MDF, 28 x 28 x 3.5 inches, 71 x 71 x 9 cm

Astral Sphere for Pierre La Roche, 2021, voile, powder coated aluminum, mirror polished brass, 81.5 x 81.5 inches, 207 x 207 cm.

Schein Blossom (Kansai Hanami), 2021, voile, powder coated aluminum, mirror polished brass, 81.5 x 81.5 inches, 207 x 207 cm.

Art Brussels, 2023, The Hole, Brussels, BE

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Jonny Niesche’s neon-hued chromatic fields and prismatic structures riff on mid-century minimalism with formal inventiveness. The artist employs voile, dye sublimation, mirrored frames, and digital color palettes (which he makes himself) to generate what he calls “image-objects”—pieces that straddle the line between painting and sculpture. Inspired by Ziggy Stardust and other collectible items from David Bowie’s indelible glam rock era, Jonny Niesche’s paintings function something like a concept album caked with cultural samples. His paintings disinter pigments central to Bowie’s iconic glam rock persona, blowing them up to disorienting proportions. The Australian-born, Sydney-based artist has exhibited in New York, Los Angeles, Berlin, Sydney, and Melbourne, and his work belongs to multiple public collections including the Museum of Contemporary Art in Sydney, the National Gallery of Victoria, and the Art Gallery of South Australia. Through his imaginative processes, Niesche highlights the power of both illusion and objecthood.

jonny niesche

b. 1972, Australia

Lives and works in Sydney, Australia

education

Master of Visual Arts, Mikala Dwyer, Sydney University, AU

2013

Heimo Zobernig Masters class, Academy Fine Arts, Vienna, AT

2012

Bachelor of Visual Arts, Honors (1st class), Sydney University, AU

2008

Bachelor of Visual Arts, Sydney University, AU

2007
solo exhibitions

Electric Light Orchestra, Galerie Ron, Mandos, Amsterdam, NE

2024

Haptic sfumato, 1301PE, Los Angeles, USA

2024

_ness, Fundacion La Nave Salinas, Illes Balears, ESP

2023

Art Singapore 2023, Starkwhite Gallery, NZ

2023

You say sfumato, I say sfumato, Starkwhite, Auckland, NZ

2023

Furry light, Westlotto, Münster, DE

2022

ATOMS ENCODE, 1301SW , Melbourne, AU

2022

Fairlight, Sarah Cottier Gallery, Sydney, AU

2021

Cosmoscow, Zeller van Almsick, Moscow, Russia

2021

Art Rotterdam, Zeller van Almsick, NL

2021

Duo show with Michael Staniak, The Hole, New York, NY

2021

Auckland Art Fair, Starkwhite, Auckland, NZ

2021

poikilos, Starkwhite, Auckland, NZ

2020

Transition, Duo show with Regine Schumann, Collectors Agenda, Vienna, AT

2020

When I get very stressed, I make jam, Station Gallery, Melbourne, AU

2020

Cosmos Cosmetics Vol ll, Zeller van Almsick, Vienna, AT

2020

BLUSH, Sarah Cottier Gallery, Sydney,AU

2019

Art Athina Summer, Zeller Van Almsick, Athens, GR

2019

Floating over lovers in clouds of signs, LUNDGREN Gallery, Palme De Mallorca, SP

2019

‘throb’ ,Zeller Van Almsick, Vienna, AT

2018

Moving Picture, Station Gallery, Melbourne, AU

2018

MCA Commision for Vivid festival, ‘ Virtual Vibration’ Collaboration with Mark Pritchard and Spinifex, Museum of Contemporary Art, Sydney, AU

2018

Auckland Art Fair, Sarah Cottier Gallery, Auckland NZ

2018

and so I wait with Brendan Van Hek, Sarah Cottier Gallery, AU

2018

Cracked actor, Peter Von Kant, London, GB

2017

Splitting Image, Zeller van Almsick, Vienna, AT

2017

Love-light, Sarah Cottier Gallery, Sydney, AU

2017

Picture this, STATION, Melbourne AU

2016

Cosmos Cosmetics, Minerva Sydney, Sydney, AU

2016

New Jörg, New Jörg, New Jörg Kunstverein, Vienna, AT

2016

Sundial, STATION, Melbourne, AU

2015

At length; Italian Baroque, as SLUSH collective, Minerva, Sydney, AU

2015

We refer to a thing but have no name for the smell, Cointemporary (online)

2015

Nothing goes as deep as decoration, Station Gallery, Melbourne, AU

2014

Vegas Can Be, Minerva, Sydney, AU

2014

Too Many Heroes, Firstdraft Gallery, Sydney, AU

2013
group exhibitions

25 Years of Galerie Ron Mandos, Galerie Ron Mandos, Amsterdam, NE

2024

Aotearoa Art Fair, Starkwhite, NZ

2024

Grit, curated by Markus Proschek, Zeller van Almsick, Vienna, AT

2024

Melbourne Art Fair, 1301SW + Starkwhite, Melbourne AU

2024

Metamorphosis, Art Gallery of South Australia, Adelaide AU

2023

Art Antwerp, Galerie Ron Mandos, Antwerp, BE

2023

Living Patterns: Contemporary Australian Abstraction, Queensland Art Gallery | Gallery of Modern Art, Brisbane, AU

2023

Phenomena Evoking Theosis, curated by Angelo Plessas as part of Curated by 2024, Zeller van Almsick, Vienna, AT

2023

Contemporary Art Now, The Hole NYC, Ibiza, ESP

2023

Art Brussels, The Hole NYC, Brussels, BE

2023

Art Singapore, Starkwhite, Singapore, SI

2023

Sydney Contemporary, 1301SW, Sydney, AU

2022

The Armory Show, The Hole, New York, NY

2022

ENTER Art Fair, The Hole, Copenhagen, Denmark

2022

Art Brussels, The Hole, Brussels, BE

2022

Countershading, Zeller van Almsick, Vienna, AT

2022

Melbourne Art Fair, 1301SW, Melbourne, AU

2022

The Armory Show, The Hole, New York, NY

2021

Messe St Agnes, König Galerie, Berlin, DE

2021

Dreaming, after all, is a form of planning, 1301PE, Los Angeles, CA

2021

Summer Camp, Neukirchen, AT

2021

MIRRORS/MIRAGES, Galerie Ron Mandos, Amsterdam, NL

2021

Hand picked masterpieces, Collectors Room Hamburg, Andrea von Goettz, Hamburg, DE

2020

Parallel Vienna, presentation with Zeller van Almsick, Vienna, AT

2020

CUBED, The Hole, New York, NY

2020

Gymnasium, curated by Liam Garstang, Sydney College of the Arts, Sydney, AU

2020

MiniMalism, Minigalerie, Amsterdam, NL

2020

Apparition, Sarah Cottier Gallery, Sydney, AU

2020

ALAC, Starkwhite NZ, Los Angeles, CA

2020

Flat Earth Society, Cement Fondu, Sydney, AU

2019

Sydney Contemporary, Sarah Cottier Gallery, Sydney, AU

2019

Shit that I like, Nicholas Projects, Melbourne, AU

2019

Sculptur Garden, Vienna, AT

2019

Idle Worship, Lismore Regional Gallery, Lismore, AU

2019

New acquisitions, Museum of Contemporary Art, Sydney, AU

2019

In Formalism Now, Presented by S.N.O at Casula Powerhouse, Sydney, AU,

2019

Jubilee, Sarah Cottier Gallery, Sydney, AU,

2019

Ways of seeing, Art Gallery of South Australia, Adelaide, AU

2019

ENTKUNSTUNG/VERKUNSTUNG, Austrian Cultural Forum, Berlin, DE

2019

Close encounters, Usfin Atelier, Sydney, AU

2018

SMOOTH CHROMATICS, Stephanie Kelly Gallery, Dresden, DE

2018

Sydney Contemporary, Sarah Cottier Gallery, Sydney, AU

2018

The night before, Episode 1, Shirlow St, Marrickville, AU

2018

Curator MCA ARTBAR, Museum of Contemporary Art, Sydney, AU

2018

Robert Hunter with Patrick Lundberg and Jonny Niesche, STATION Gallery, Melbourne, AU

2018

Rate of change, COMA Gallery, Sydney, AU

2018

Colour and form, ArtGalleryHome, Sydney, AU

2018

Redlands Konica Minolta Art Prize, National Arts School, Sydney, AU

2018

Group show #36, Sarah Cottier Gallery, Sydney, AU

2017

The Gaze of Narcissus, The Flat - Massimo Carasi, Milan, IT

2017

Sydney Contemporary, Sarah Cottier Gallery, Sydney, AU

2017

VOLTA Basel, The Flat - Massimo Carasi, Basel, Switzerland

2017

Wholesome environment, Lundgren Gallery, Mallorca, ES

2017

Matter matters, Massimo Carasi, The Flat, Milan, IT

2017

Superposition of 3 types, ARTSPACE, Sydney, AU

2017

Nice one Picasso, Sydney College of the Arts Gallery, Sydney, AU

2017

Shut up and paint, National Gallery of Victoria, Melbourne, AU

2016

Painting.More painting, Australian Centre for Contemporary Art, Melbourne, AU

2016

Spring 1883, Sarah Cottier Gallery, The Windsor, Melbourne, AU

2016

Green, Sarah Cottier Gallery, Sydney, AU

2016

Studio Wars, Jan Murphy Gallery, Brisbane, AU

2016

Birmingham St Studios, Art Month, Sydney, AU

2016

Sharing Space, Alte Post, Vienna, AT

2015

OF DECEIT, Greenwood St, Abbotsford, AU

2015

Its all underneath the floor, its all between the walls, Hestinger Atelier, Vienna, AT

2015

Another Destination, Gesso Artspace, Vienna, AT

2015

Spring 1883, the Establishment, Sydney, AU

2015

The Kaleidoscopic Turn, NGV Collection, National Gallery of Victoria, Melbourne, AU

2015

NADA New York, Basketball City, New York, NY

2015

Casual Conversation, Minerva, Sydney, AU

2015

Right Here, Right Now, Penrith Regional Gallery and The Lewers Bequest, Sydney, AU

2015

Fun House, Minerva Off-Site, 33 Guildford Lane, Melbourne, AU

2015

Television, Sarah Cottier Gallery, Sydney, AU

2014

reSATURATEryb, Grace Cossington Smith Gallery, Sydney, AU

2014

Miami, The Walls, Queensland, AU

2014

NSW Visual Arts Fellowship, ARTSPACE, Sydney, AU

2014

Speculative Everything, as SLUSH, Firsdraft Gallery, Sydney, AU

2014

The Future’s Knot, T.I.N.A. Critical Animals, The Lock-up, Newcastle, AU

2014

Bildhauen, Dominik Mersch Gallery, Sydney, AU

2014

Spring 1883 Art Fair, Minerva, Melbourne, AU

2014

Fauvette Laureiro Artists Travelling Scholarship, Sydney University, Sydney, AU

2014

Signal, The Cat St Gallery, HK

2014

New Contemporaries, Sydney College of the Arts Gallery, Sydney, AU

2014

Sunny and Hilly, Minerva, Sydney, AU

2014

Fishers Ghost Award, Campbelltown Arts Centre, Sydney, AU

2013

Mono No Aware, as SLUSH, Linden Centre for Contemporary Arts, Melbourne, AU

2013

N.S.W. Visual Arts Fellowship for Emerging Artists, ARTSPACE, Sydney, AU

2013

Connection points, sites of exchange, Willoughby Art Space, Sydney, AU

2013

The Churchie, Griffith University Gallery, South Bank, Brisbane, AU

2013

Masters of Fine Arts graduation exhibition, Sydney College of the Arts Gallery, Sydney, AU

2013

Finisce e Continue Uno, Gesso Artspace, Vienna, AT

2013

GLOW, Sydney College of the Arts Gallery, Sydney, AU

2013

Home is where one starts from, as SLUSH, Yuill/Crowley Gallery, Sydney, AU

2013

Cronies, Roslyn Oxley9 Gallery, Sydney, AU

2012

Eon, Alaska Projects, Sydney, AU

2012

SLUSH, as SLUSH collective, Firstdraft Gallery, Sydney, AU

2012

Reflect/Deflect, Alaska Projects, Sydney, AU

2012
collections

Art Gallery of South Australia

Museum of Contemporary Art, Sydney, AU

National Gallery of Victoria, AU

Lyon Housemuseum

M.O.N.A. Museum of New and Old Art, Hobart, AU

ARTBANK AU

Private collections in Europe, UK, U.S.A, South America, Canada, China, Hong Kong, Singapore and Australia.

awards/residencies

Australia Council Grant

2017

Australia Council Grant as SLUSH Collective

2016

Fauvette Loureiro Memorial Artists Travel Scholarship, Sydney University.

2014

New Work Grant, as SLUSH collective, Australia Council.

2014

Art Start Grant, Australia Council.

2014

Firstdraft Gallery Residency, Sydney, Australia.

2013

Australian Post Graduate Award

2011-2013

Fauvette Laurerio Travelling Exchange Scholarship, Sydney College of the Arts.

2011
publications

Jonny Niesche Cracked Actor Works

2018

Monograph, Texts by Martin Herbert, Kristina Marberger, Nadim Samman, Verlag Für Moderne Kunst, Vienna, AU

2013-2015

Sagmaeister and Walsh:Beauty, Phaidon Press Limited, 65 Bleeker St, New York

2018

Entkunstung II, Kulturverein Entkunstung Rembrantstrasse 24/13 1020 Vienna

2018

Synaesthetic surface of Jonny Niesche, Alice Finney , Ignant

2018

The Australian, Jonny Niesche Lights Up the MCA

2018

Virtual Vibration, Neighbourhood Paper

2018

Behind Jonny Niesche’s Vivid Sydney Projection, The design files

2018

Mind Blowing Overtaking the MCA, Monique Penning, Monster Children

2018

Parnass Magazine, Austria, Up and coming Wien, München, Berlin

2017

Museum Magazine, Laura Bannister

2017

Into the Vortex, Alison Veness, 10 Magazine, AU

2017

Collectors agenda, In The Studio

2017

Wanted Magazine, Shans Chandra

2017

Gradients and Bands of Gold

2017

Australiana to zeitgeist, Melissa Loughlan, Thames and Hudson

2017

Art Vol 1, Scandale project

2017

Painting. More Painting., Australian Centre for Contemporary Art, Southbank, Victoria, Australia

2016

Loop loop, collaboration with Alexander Jackson Wyatt

2015

Minerva publication for NADA New York, text S.T. Lore, design Robert Milne

2015

Jonny Niesche, Vegas Can Be, text Marian Tubbs, design Robert Milne

2014

Manuscript, Introducing, Mitchell Oakley Smith

2014

Sneakymag, Vegas Can Be, Interview with Jonathan McBurnie

2014

The Art Collector, Emerging Collectable Artists, Dr Jacqueline Millner

2013

‘SLUSH’ collective, SLUSH, All that is solid melts into slush, Dr Matthew Abbott and Astrid Lorange, Rainoff Book Publication

2012

Art Monthly Australia, EM Files, Emerging artists

2008

Atoms Encode (Content Aware), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2,5 inches, 75 x 60 x 6 cm.

*Atoms Encode (Southern), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2.5 inches, 75 x 60 x 6 cm

Kansai Schwartzkopf (Red), 2021, voile, powder coated aluminum, mirror polished brass, 81,5 x 81,5 inches, 207 x 207 cm.

Schein Blossom (Spring has no border), 2022, voile, powder coated aluminum, mirror polished brass, 69 x 69 x 1.5 inches, 176 x 176 x 3.5 cm.

Atoms Encode (Small Carp), 2020, acrylic mirror, MDF and voile, 30 x 24 x 2.5 inches, 75 x 60 x 6 cm.

ATOMS ENCODE, 2022, 1301SW, Melbourne, AU

ATOMS ENCODE, 2022, 1301SW, Melbourne, AU

Zig Zag Dream (Amber), 2022, voile, acrylic mirror, MDF, 56 x 40 x 4 inches, 141 x 101 x 9 cm.

Mutual Illumination (Study), 2021, voile, acrylic mirror and MDF, 28 x 28 x 2.5 inches, 71 x 71 x 6 cm

Aba Zabba Zoom (Emerald), 2022, voile, acrylic mirror, MDF, 28 x 28 x 3.5 inches, 71 x 71 x 9 cm

Astral Sphere for Pierre La Roche, 2021, voile, powder coated aluminum, mirror polished brass, 81.5 x 81.5 inches, 207 x 207 cm.

Schein Blossom (Kansai Hanami), 2021, voile, powder coated aluminum, mirror polished brass, 81.5 x 81.5 inches, 207 x 207 cm.

Art Brussels, 2023, The Hole, Brussels, BE

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