Ry David Bradley

Altercell, 2024, UV ink on vinyl, 62 x 78 in., 157 x 198 cm.

|ᕤ ̄· ̄|ᕤ, 2022, acrylic tapestry, 71 x 63 inches, 180 x 160 cm.

The Seer, 2021, acrylic tapestry, 63 x 55 inches, 160 x 140 cm.

NOVACENE: PORTRAITS OF A MACHINE, 2022, The Hole, New York, NY

NADA NY, 2024, The Hole, New York, NY

((ʃຈ෴ຈ))ʃ, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

Search History, 2019, The Hole, New York, NY

Acilia Vetus, 2022, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

Once Twice, 2021, The Hole, New York, NY

NOVACENE: PORTRAITS OF A MACHINE, 2022, The Hole, New York, NY

App Death, 2021, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

Room with a Views, 2017, The Hole, New York, NY

﴾୨ᵔvᵔ﴿୨, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

Maximia Melus, 2022, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

﴾´⍜︿⍜`﴿, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

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Graduating in 2013 with an MFA from Victorian College of the Arts, Melbourne University, Ry David Bradley has exhibited internationally including LA, London, New York, Berlin, Brussels, Milan, Cologne, Sydney and Melbourne. His work often shifts media but always looks closely at painting in the 21st century, the new opportunities and the shortcomings in our digital moment. Recent solo exhibitions include Moonlight Painting at Gana Art Nineone in Seoul, GEN at Sullivan+Strumpf in Melbourne, NOVACENE: PORTRAITS OF A MACHINE at The Hole, and Life Drawing, at Allouche Benias Gallery in Athens. His work debuted in the USA with Bill Brady Gallery in Kansas City in 2015 with Access All Areas. His work is in public and private collections across the world, including at the Aldala Collection and the National Gallery of Victoria in Melbourne.

ry david bradley

b. 1979, Melbourne, Australia

Lives and works in London / Paris

education

MFA, Victorian College of the Arts

2013
solo exhibitions

Moonlight Painting, Gana Art Nineone, Seoul, Korea

2023

GEN, Sullivan+Strumpf, Melbourne, Australia

2023

NOVACENE: PORTRAITS OF A MACHINE, The Hole, New York, NY

2022

Bots, Carl Kostyal Gallery, KIAF, Seoul, Korea

2022

Life Drawing, Allouche Benias Gallery, Athens, Greece

2022

Once Twice, The Hole, New York, NY

2021

Still Life 2, Brigade Galleri, Copenhagen, Denmark

2020

Transmission, Sullivan & Strumpf, Sydney

2020

Concrete Reverie, Sullivan + Strumpf, Singapore

2019

Search History, The Hole, New York, NY

2019

How to Bend Reality, Last Resort, Copenhagen, Denmark

2019

All Stories, Sullivan & Strumpf, Singapore

2019

The Square, Future Gallery, Berlin, Germany

2019

500 Years, Tristian Koenig Gallery, Melbourne

2019

Letmein, Herning Museum of Contemporary Art, Herning, Denmark

2018

Click, Gallery 9, Sydney, Australia

2018

Your Story, Tristian Koenig Gallery, Melbourne, Australia

2018

Realities, Neumeister Bar Am, Berlin, Germany

2017

Room with a Views, The Hole, New York, NY

2017

Post Truth 2, Galerie Derouillon, Paris, France

2017

21th Century, PM/AM, London, UK

2017

Powershot, Bowerbank Ninow, Auckland, New Zealand

2017

Upgrade, County, Palm Beach, FL

2017

Overworld, COMA, Sydney, Australia

2016

Add Paintings, VOLTA 12, The Hole, Basel, Switzerland

2016

Unvalley Valley, Evelyn Yard, Cologne, Germany

2016

Dadabase, Composing Rooms, Berlin, Germany

2016

Unvalley Valley, Evelyn Yard, London, UK

2016

Event Horizon, Evelyn Yard, Cologne, Germany

2016

Spin Forever, COMA, Sydney, Australia

2016

Automatic Transmission, Composing Rooms, Berlin, Germany

2016

Access All Areas, Bill Brady Gallery, Kansas City, USA

2015

Not To Be Digitized, Tristian Koenig, Sydney, Australia

2015

Where Do You Want To Go Today, Brand New Gallery, Milan, Italy

2015

Border Protection, Tristian Koenig Gallery, Melbourne, Australia

2015

Picture Movement, Utopian Slumps Gallery, Melbourne, Australia

2015

About Blank (with Parker Ito), Paradise Hills Gallery, Melbourne, Australia

2015

Pauser, Blindside Gallery, Melbourne, Australia

2015
selected group exhibitions

NADA NY, The Hole, New York, NY

2024

Storage Wars, The Hole, Los Angeles, CA

2023

Soft_ware: Textiles After Technology, Kunsthaus Erfurt, Germany

2020

Superzoom, Superzoom, Paris, France

2019

Art Brussels, The Hole, Brussels, Belgium

2019

Enter, Lyon Housemuseum, Melbourne, Australia

2019

Zona Maco, The Hole, Mexico City, Mexico

2019

ALAC, The Hole, Los Angeles, CA

2019

Gallery 9, Auckland Art Fair, Auckland, New Zealand

2019

ALAC, The Hole, Los Angeles, CA

2018

CODE Art Fair, The Hole, Copenhagen, Denmark

2018

Coccaro On Paper, Carl Kostyal, Puglia, Italy

2018

Melbourne Art Fair, Tristian Koenig Gallery, Melbourne, Australia

2018

Sydney Contemporary, Gallery 9, Sydney, Australia

2018

Slippage, Post Institute, London, UK

2018

o1, PM/AM, London, England

2018

Looking For U, Unit London, London, UK

2018

Post Analog Painting II, The Hole, New York, USA

2017

New Dawn, Neumeister Bar Am, Berlin, Germany

2017

Superposition of Three Types, Artspace, Sydney, Australia

2017

Sessions, Galerie Paris Beijing, Paris

2017

Sydney Contemporary, COMA, Sydney, Australia

2017

Watching Windows, Te Uru Waitakere Contemporary Museum, Auckland, New Zealand

2017

Seattle Art Fair, Castor Gallery, Seattle, USA

2017

Falling From Your iCloud, Dot Project, London, UK

2017

Art 150 9 X 5, Margaret Lawrence Gallery, Melbourne, Australia

2017

Wave, County, Florida, USA

2017

Temporary Highs, bitforms gallery, New York, USA

2016

Shut Up & Paint, National Gallery of Victoria, Melbourne, Australia

2016

Ookk, County Gallery, Palm Beach, FL

2016

Touch, Et Al, San Franciso, California, USA

2016

NADA NY, Evelyn Yard, New York, USA

2016

Bruise, Et Al, San Francisco, USA

2016

Face to Face, Palazzo Fruscione, Salerno, Italy

2016

Painting, More Painting, Australian Centre for Contemporary Art, Melbourne, Australia

2016

Art of The Matter, Contemporary Art Museum, St Louis, USA

2016

Oceans Without Surfers, PM/AM, London, UK

2016

In The Depth of The Surface, Ex Fabrica Orrobia, Milan, Italy

2016

Art Brussels, Brand New Gallery, Brussels, Belgium

2016

What’s Up, Soho Revue, London, UK

2016

What’s Up 2, Frieze, Portland Place, London, UK

2016

Artissima, Brand New Gallery, Torino, Italy

2016

Dallas Art Fair, Brand New Gallery, Dallas, USA

2016

ALAC, Evelyn Yard, Los Angeles, USA

2016

Auckland Art Fair, Tristian Koenig, Auckland

2016

Group, Rod Barton, Brussels

2016

FIAC Officielle, Brand New Gallery, Paris, France

2015

Not A Photo, The Hole, New York, USA

2015

Artissima, Brand New Gallery, Torino, Italy

2015

Windoes, Composing Rooms, Berlin, Germany

2015

Miami Untitled, The Hole, Miami, USA

2015

#BAE #AQN, Yautepec Gallery, Mexico City, Mexico

2015

Mirrorcity, Hayward Gallery, London, UK

2014

FIN, Utopian Slumps, Melbourne, Australia

2014

Tabularium, Slopes Gallery, Melbourne, Australia

2014

Studio Model, Artspace, Sydney, Australia

2013

The Lies Of Light, MADA, Monash University, Melbourne, Australia

2013

BYOB 2013, RMIT Design Hub, Melbourne, Australia

2013

Eye Darts, Strines, Melbourne, Australia

2013

Everything At Once, Paradise Hills Gallery, Melbourne

2013

Speedshow, Western Front, Vancouver, Canada

2012

Ctl Copy, Gallery 13, Melbourne

2012

How To Paint With Photoshop, LuckyPDF WestSpace Gallery, DIS Magazine, New York, NY

2012

Linden Innovators, Linden Gallery, Melbourne

2012

BYOB, Tristian Koenig Gallery, Melbourne

2011

High Definition, Paradise Hills Gallery, Melbourne

2011

Proud, Margaret Lawrence Gallery, Melbourne

2011

Lighthouse, Australian Centre for Contemporary Art, Melbourne

2010

Exploration 9, Flinders Lane Gallery, Melbourne

2009
press

Sian Bradley,”Meet the Artist Using Tech to Preserve Our History,” Wired Magazine

2017

Robert Urquhart, Elephant Magazine

2016

Kim Brocket, Vault Magazine

2016

Nicholas Forrest, Potent Post Internet Painting, Blouin Artinfo

2015

Alana Kushnir, Returning to the Tabularium, Mnemonscape

2014

Martha Cooper, Tabularium @ Slopes Reviewed, AQNB

2014

Hamishi Farah & Aurelia Guo, An Exhibition With the Foresight to Plan its own Funeral, Rhizome, New York

2014

LuckyPDF, How To Paint With Photoshop, DIS Magazine, New York,

2012

Sean Irving, Painting & The Internet, Acclaim Magazine, Melbourne

2012

Thomas Jeppe, Time, The Hand, Time, VCA

2011

Amelia Hirschauer, The Immediacy & Sorrow of Obsolescence, VCA

2011

Tarik Hindic, Fanzinescreen., Bergen Kunsthall, Bergen, Norway

2011

Sean Irving, Das500, Sydney

2011

Aureliano Segundo, Conceptual Blogs, Vancouver

2011

Rowan McNaught, Kill Your Darlings, Melbourne

2011

Sean Irving, Broadsheet, Melbourne

2011

Martin Cole, Qompendium, November, Weisbaden, Germany

2010

Sean Irving, Metro Gallery, November, Melbourne

2010

Gene McHugh, Post Internet, September, New York

2010

Sean Irving, Metro Gallery, February, Melbourne

2010

Robert Lukins, Inpress Magazine, Melbourne

2010

Penny Modra, The Age, Melbourne

2009

Stonnington Leader Newspaper

2009

Geraldine Yeo, Melbourne Weekly Magazine

2009

Bayside leader Newspaper

2009

N.J. Pauser, “Catalogue Review,” Blindside Gallery

2009

Miguel Colmenares, Colectivo Futuro

2008
awards

Australia Council for the Arts

2014

APGA Research Scholarship

2012

JM Kerley Travelling Scholarship

2012

VCA Athenaeum Club Award First Prize

2012

Myer Foundation Award

2011
collection

National Gallery of Victoria

Aldala Collection

Private Collections U.S, Europe, Asia

Altercell, 2024, UV ink on vinyl, 62 x 78 in., 157 x 198 cm.

|ᕤ ̄· ̄|ᕤ, 2022, acrylic tapestry, 71 x 63 inches, 180 x 160 cm.

The Seer, 2021, acrylic tapestry, 63 x 55 inches, 160 x 140 cm.

NOVACENE: PORTRAITS OF A MACHINE, 2022, The Hole, New York, NY

NADA NY, 2024, The Hole, New York, NY

((ʃຈ෴ຈ))ʃ, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

Search History, 2019, The Hole, New York, NY

Acilia Vetus, 2022, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

Once Twice, 2021, The Hole, New York, NY

NOVACENE: PORTRAITS OF A MACHINE, 2022, The Hole, New York, NY

App Death, 2021, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

Room with a Views, 2017, The Hole, New York, NY

﴾୨ᵔvᵔ﴿୨, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

Maximia Melus, 2022, acrylic tapestry, 63 x 55 in., 160 x 140 cm.

﴾´⍜︿⍜`﴿, 2022, acrylic tapestry, 71 x 63 in., 180 x 160 cm.

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