The Hole Contemporary art gallery New York and Los Angeles

Jonathan Chapline, Displaced Interior, 2022, acrylic and flashe on canvas over panel, 60 x 72 inches, 152 x 183 cm

Adam Parker Smith, Narcissist (Blue Tourmaline), 2021, resin, Urethane, polished stainless steel and mirror, 72 x 39 x 31 inches, 183 x 99 x 79 cm

Adam Parker Smith, Contrapposto Pool Float (Nude Kathy), 2022. Resin, fiberglass, steel, urethane and marble base. Sculpture: 56 x 22 x 17 inches, 142 x 56 x 43 cm. Marble pedestal: 7 x 34 x 23 inches, 18 x 86 x 58 cm

Joakim Ojanen, Climb Up Here Guys, the View is Way Better!, 2021, bronze, marble, Sculpture: 76 x 26 x 20 inches, 194 x 67 x 50 cm, Marble pedestal: 19.5 x 21.5 x 18 inches, 50 x 55 x 45 cm

Alex Gardner, Surround Sound, 2022, acrylic on canvas, 36 x 36 inches, 91 x 91 cm

Eric Shaw, The Same Boat, 2022, acrylic on canvas, 83 x 79 inches, 211 x 201 cm

Eric Shaw, Basal Ganglia Network, 2022, acrylic on canvas, 66 x 60 inches, 168 x 152 cm

James Ulmer, Loop, 2022, flashe on canvas, 70 x 84 inches, 178 x 213 cm

Rosson Crow, I Know It’s Hot, But Is It Humid?, 2022, acrylic, photo transfer and oil on canvas, 70 x 84 inches, 178 x 213 cm

Matthew Hansel, The Land Our Love Burns Will Remains Black For Years to Come, 2022, oil on canvas, 60 x 48 inches, 152 x 122 cm

Pedro Pedro, Pink Lillies in Vase, 2022, acrylic and textile paint on linen, 36 x 42 inches, 91 x 107 cm

Caitlin Cherry, Girl Money, 2022, oil on canvas, 24 x 36 inches, 61 x 91 cm

Mevlana Lipp, Aurora, 2022, velvet, wood aluminum stretcher, acrylic, ink and sand, 79 x 59 inches, 200 x 150 cm

Aurel Schmidt, Like A Fish Needs A Bicycle, 2008, mixed media, 76 x 47 inches, 193 x 119 cm

Matthew Stone, Dancing Free, 2022, digital print on linen, 63 x 47 inches, 160 x 120 cm

Matthew Stone, It Looked Like Order, 2022, digital print on linen, 63 x 47 inches, 160 x 120 cm

Matthew Stone, Gushing Current, 2022, digital print on linen, 63 x 47 inches, 160 x 120 cm

Matthew Stone, Turning Point, 2022, digital print on linen, 63 x 47 inches, 160 x 120 cm

Robert Moreland, Yellow Border II, 2022, drop cloth on wooden panel with acrylic paint, tacks and leather hinges, 77 x 30 inches, 196 x 76 cm

Robert Moreland, Yellow Border I, 2022, drop cloth on wooden panel with acrylic paint, tacks and leather hinges, 35 x 26 x 6 inches, 89 x 66 x 15 cm

FriendsWithYou, Purple Prayer, 2020, plasticine clay in wooden frame with plexiglass lid, 48 x 63 inches, 122 x 160 cm

Kevin Christy, Hi Pressure System, 2022, oil on canvas, 40 x 30 inches, 102 x 76 cm

Kevin Christy, Love, 2022, oil on canvas, 40 x 30 inches, 102 x 76 cm

Kpe Innocent, Speak Life, Not Death, 2022, acrylic on canvas, 47 x 47 inches, 120 x 120 cm

Kpe Innocent, The Dark Clouds Won’t Win. Don’t Allow Them, 2022, acrylic on canvas, 36 x 42 inches, 91 x 107 cm

Morgan Blair, The Nations Leading Scientists Have Discovered a 6th Type of Hot Girl Boss, And All I Have to Say is: Amazeballs! Here Are 25 Meta-Liminal Spaces That Show Why This Literal Angel Archetype Is Way More Awesomesauce Than You Think, And How U Too Can Manifest a Super Valid #BusinessWifey Mindset with Just a Lil Generational Wealth and a Big Smile!, 2022, paper pulp and acrylic on canvas, 48 x 60 inches, 122 x 152 cm

Misaki Kawai, Blueberry Riders, 2022, acrylic on canvas, 32 x 24 inches, 80 x 60 cm

Misaki Kawai, A Broccoli Tale, 2022, acrylic on canvas, 32 x 24 inches, 80 x 60 cm

Joe Reihsen, Lake Harriet, Red Monolith, 2018-2022, oil, acrylic and volcanic dust on canvas, 62 x 72 inches, 158 x 183 cm

Joe Reihsen, Joshua Tree, Red Monolith, 2018-2022, oil, acrylic and volcanic dust on canvas, 62 x 72 inches, 158 x 183 cm

Ry David Bradley, Click World, 2021, acrylic tapestry, 63 x 55 inches, 160 x 140 cm

Eric Yahnker, Fraptism, 2022, oil on prepared burlap, 24 x 24 inches, 61 x 61 cm

Visit the New Construction online viewing room here

Featuring: Adam Parker Smith, Alex Gardner, Aurel Schmidt, Caitlin Cherry, Eric Shaw, Eric Yahnker FriendsWithYou, James Ulmer, Joakim Ojanen, Joe Reihsen, Jonathan Chapline, Kevin Christy, KPE Innocent, Matthew Hansel, Matthew Stone, Mevlana Lipp, Misaki Kawai, Morgan Blair, Pedro Pedro, Robert Moreland, Rosson Crow, Ry David Bradley and Taylor McKimens.

The Hole is delighted to announce the opening of a big ol’ Hole in Los Angeles. The gallery’s third permanent space, 8000 sq. ft. at 844 N La Brea Ave in Hollywood, will open this Tuesday with an experimental group show and performance haha, as we are ALMOST ready to open for you! New Construction reinterprets the gallery’s first ever show, Not Quite Open For Business (2010) where half-finished artworks in a half-finished space kicked off the founding of the gallery.

Here in L.A., visitors will experience the installation of the first group show “live,” from 6 to 8pm, as the gallery team unwraps and hangs each piece. Contributions are coming in from all around the world, past and future artists! All shiny and new, just like our almost-completely renovated space 🙂 New Construction will be followed by solo exhibitions by Jonathan Chapline in April and Adam Parker Smith in June.

The digging of The Hole Los Angeles—which follows our opening of a second Hole in Tribeca in April 2021—marks the gallery’s expansion to the West Coast, building upon its longstanding success as a mainstay in New York’s contemporary art scene. This third exhibition space will usher in new audiences to The Hole’s dynamic programming, and allow us to foster new relationships and maintain closer contact with artists based in the region.

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