Caitlin Cherry, Tasting Menu, 2022, oil on canvas, 57 x 102 inches, 145 x 259 cm.

The Modern Art Museum at Fort Worth
3200 Darnell St, Fort Worth, TX 76107

The Hole is proud to share news of Caitlin Cherry‘s contributions to The Modern Art Museum of Fort Worth’s I’ll Be Your Mirror: Art and the Digital Screen.

Filtering media through layers of digital manipulation, Cherry’s work draws parallels between Black femme bodies, frequently commodified and positioned as sexual assets, and the seductiveness of art objects in the commercial gallery circuit. Resisting easy placement in the cultural marketplace of hot-takes, these paintings decline respectability politics in favor of a nuanced and unabashedly sexy assessment of online drama, distortion and desire.

From The Modern Art Museum of Fort Worth’s website:

The Modern Art Museum of Fort Worth presents the landmark I’ll Be Your Mirror: Art and the Digital Screen, a thematic group exhibition that examines the screen’s vast impact on art from 1969 to the present. This exhibition surveys more than sixty works by fifty artists over the past five decades. The artists included examine screen culture through a broad range of media such as paintings, sculpture, video games, digital art, augmented reality, and video.

Screens affect nearly every aspect of life today. Their pervasiveness has bred a 24/7 breaking news cycle, the looming corporate-sponsored virtual-reality “Metaverse,” unlimited accessibility and content, and an ease in how ideas and images are distributed, undoubtedly shaping culture in profound ways. This exhibition starts in 1969—the year of the televised Apollo moon landing and the launch of the internet’s prototype, ARPANET—as this was the watershed year where collective connectivity through screens was first mobilized in mainstream culture. This era forged what the media theorist Marshall McLuhan presciently deemed in the 1960s a “global village,” a place where distance is collapsed and people from across the world readily interact. Following this trajectory, contemporary life is hybrid and increasingly mediated through screens. These flat and finite surfaces embody more than what meets the eye—they hold up a mirror to society and contribute to forming meaning in life and mainstream culture.

I’ll Be Your Mirror: Art and the Digital Screen is organized into nine key themes: liminal space, connectivity, surveillance, the repository, digital abstraction, the posthuman body, automation and the loneliness epidemic, ecology, and turning a mirror on ourselves.

More than 25,000 square feet of gallery space will be devoted to the exhibition, which will include iconic works by prominent national and international artists of the 20th and 21st centuries, such as Cory Arcangel, American Artist, Gretchen Bender, Lynn Hershman Leeson, Arthur Jafa, Nam June Paik, Hito Steyerl, and Andy Warhol, and as well as several leading artists living in Texas, including Liss LaFleur, Kristin Lucas, and John Pomara. Several new and never-before-seen works by key artists Caitlin Cherry, Simon Denny, Kahlil Robert Irving, and Hasan Elahi will debut in this exhibition. This is the most in-depth show of its kind in the Southwest region and is only one of a few presentations exploring art and digital technology in the past decade at this scale. The exhibition is organized by the Modern Art Museum of Fort Worth and is curated by Curator Alison Hearst.